I continually struggle dealing with neck pain. Some days are really bad. Other days are “life is good, smiley face” days. I seem to sway back and forth between the two. I am fighting to increase the things I can do. It’s a daily struggle. I have a bit of a terrier personality and refuse to give in/give up.
One of the activities I miss is cordwaining (shoe making). I see shoes I’d love to wear (bear in mind, I wear a mens 3FF, not a size that is commercially available) and think . . . I could make those! Today, on Pinterest, I ran into these beauties.
I think I’m going to have to try and make them. They are just too fabulous.
My most favorite of brothers introduced me to a Chinese made sewing machine designed to stitch layers of leather. I’m going to have to get myself one of these. I’m viewing it as a must have. It solves a lot of the problems I have with cordwaining. I cannot do the stitching by hand so must have a way to do the stitch that is not by hand.
I have the leather. I have the vision. I must have the way to do the stitching!
We have a bit of an unusual life, Wadly and I. We live on twelve south-facing acres backed up to forty square miles of Weyerhaeuser on a dead end road off a dead end road mere minutes from the freeway. As locations go, it couldn’t be more perfect. It’s quiet and private here. From the top of our property we can look out over Shoestring Valley and see Mount St. Helens in the distance.
Once our mortgage was paid off we decided living small was better than bigger fancier accommodations with its accompanying debt. Because our living space is small, engaging in crafts like quilting takes some innovating and good organizational skills. Having a table that will fold up out of the way when not needed is a crafty thing indeed. When it comes to crafting in a small space, it’s all about maximizing use of space!
Unless you have a family whose members require personal space, bedrooms are a waste. They’re one-use rooms not used for most of the day. I’ve always though Murphy beds were a really smart idea. They allow the bedroom to be more than one thing.
Our bed is not a Murphy bed. It’s a metal frame that sits up high enough that storage bins can be placed beneath. To further maximize the space, I’ve mounted a 4×6 layout/cutting table on the footboard. The plywood base is covered by an Omnigrid mat I purchased from the factory on a Guild field trip. The mat is held to the table by tiny brass nails to keep it in place when the table is tilted up out of the way.
I’ve got the first batch of silicone on my last and here are my observations.
First is that I shouldn’t put off until another day the continuation of the project.
Second is that I should put on a lot more silicone in the first coat. I can work with what I’ve got, I just think it would have been better to keep at it. When mixed 1:1:1, the combination is spreadable and sets up to the point additional layers could be added in under 2 hours.
Third, I should have used plaster instead of molding clay to build up the ankle and toe of my test last shape. The silicone and molding clay separate beautifully . . . . but a little too eagerly. Where the plaster will absorb the water the silicone puts off as it cures, the molding clay cannot and this creates hydraulic pressure which separates the silicone from the clay. Despite that, I think I can work with this. It’s just a test and the important bit is neither the top of the ankle OR the toe. I’ll coat the silicone with a couple layers of mold release and then add the remaining layers of silicone. I may have to pin the bits that are separating, but I don’t see that as a game changer.
Let the games begin! I’m testing molding. After lots of research, I’m actually testing! Woohoo!
Modeling clay (doesn’t dry out)
Something to use as a base (glossy scrap cardboard)
Pure silicone caulk
Stir sticks (old plastic spatulas)
I used the modeling clay to make something to mold against. I cut a piece, stuck it down to the glossy card stock, mixed equal parts corn starch and silicone caulk, then added xylene to get a spreadable consistency.
I then plastered the silicone mix onto the clay. Not pretty, but pretty really isnt’ necessary.
The third picture is the result after two hours. The silicone was largely set. I didn’t do a good enough job getting the silicone into the register holes. I’ll know to watch for that when starting the actual mold making.
Here’s the sequence of producing the short casting. If I don’t have to deal with the toes I can do this by myself pretty easily. Note that I have coated my foot and ankle with olive oil just after installing the tape (see below).
The only photo I didn’t get was of my foot set with forefoot on the ground and heel off and my leg correctly aligned.
Note the blue painters tape showing above the wrap. It runs down almost all the way to the bottom edge of the plaster wrap and protects my skin from the butter knife used to cut the plaster wrap.
I’ve used my modeling clay (has oil in it so it doesn’t dry out) and I’ve added to the casting I made for my heel seat press. There’s no reason I can’t use that casting for both my initial last casting AND as the template for a press for the cork for my heel seat.
Once I get the initial mold made I can clean it up and do any final fussy shaping. The modeling clay fleshes out the toe and the top of the last at the ankle.
I’ve been toying with making a pair of stitch-down sandal shoes ala Alan James Raddon but I could never figure out how to get the toe strap adjusted so it would be comfortably snug but not too tight. When I need a solution to a problem, I’ve learned to just let things ferment. Today I think I’ve found the answer.
I was researching shoe making stuff and in a search on lasts shoes DIY I ran into a forum that led me to a website that had this picture. The site is SixSmith.org, a company that makes custom lasts and hold workshops on shoe making.
For making my own pair of sandal shoes, my brain was firmly fastened on sewing the outside first and I couldn’t figure out now to get the strap length right. Duh. This is just a little too obvious. <rolls eyes at self>. Sew the inside first!
In my weekly conversation with our son, I talked about what I’ve been doing to get lasts that would help me produce a better fitting shoe. We’ve thrown a lot of ideas back and forth and it’s gelling. We’ll see how it goes.
One of the most difficult roadblocks I’ve run into for making my own shoes is good lasts. The better the last matches the foot, the better the fit of the shoe. The better the footbed matches the stabilized foot (vertical support system, forefoot flat on the floor, heel not weight bearing), the less stress put on the leg/ankle.
Because I have both fit issues (3½EEEEEE and 4EEEEE) and support issues (high arch and instep and wrecked left ankle), having a superior fitting last is essential.
In the past when I cast my foot I had problems. Part of this is simply learning curve, part of it is technique requiring modification or improvement. When casting your foot in plaster, any movement of the foot changes the final shape of the mold, pushing the mold material and making a loose fitting cast. I’ve wracked my brain on this one and I have the answer to that, finally. An elastic bandage.
The day before yesterday I cast part of my foot with the intent to build a mold for creating a modified foot bed press for my left foot (bad ankle leg). I bought an Art Minds Plaster Wrap from the craft store and cut half of it into lengths ranging from just over 1′ to just under 1½’. After collecting all my bits and pieces (plastic to set my foot on while casting, pan of warm water, serrated butter knife, plastic bag, elastic wrap, small bowl with a few tablespoons of olive oil and a 2″ paint brush) together in a convenient spot and protecting the floor, I painted the area of the foot I was casting with olive oil.
I had a reason for not wrapping my foot in plastic before adding the plaster wrap. No matter what you do, the plastic changes the shape of the foot. Where there’s only one tiny thin layer it doesn’t make much difference, but every fold and wrinkle adds up to a sloppy fit. The sloppier the fit the more you have to do to the mold to make it work. It’s much easier just to paint the foot with olive oil. Using a paint brush kept it off my hands and gave me a nice thick coat of oil on my foot.
I dipped the pieces of plaster wrap in warm water, squeegeeing off as much of the extra water as I could and proceeded to wrap my foot.
When I finished adding the plaster wrap I covered my foot with a plastic bag and wrapped it with an elastic bandage. This final bit is the true trick. It provides tension and keeps the plaster wrap tight against the foot so the end result is a snug fit while the plaster sets. Before, when casting my foot, I would invariably end up with loose spots in the casting that made the casting less than useful.
With my foot all en-swathed, I sat with a small amount of weight pressing down through my leg into my forefoot with my heel slightly off the ground until the plaster set enough to hold its shape. I paid particular attention to having my leg properly aligned vertically above my ankle and my ankle flexed to a create a right angle between my foot and my leg.
When the plaster had cured to leather hard, I unwrapped the elastic bandage, removed the plastic wrap and, using a butter knife with a serrated edge, carefully sawed down the front of the casting to almost the edge above the toes. I pried the edges apart and slid my foot out, wrapping a piece of plastic bag around the casting to close up the front edges before setting it aside to finish curing/drying.
Next time I do this I will be casting the whole foot. I will fold/roll a piece of plaster wrap lengthwise to create a thicker top edge. This will help strengthen the casting. I’ll also get Wadly to help. This is a much easier job with two people, one to own the foot and hand over the tools and materials, the other to do the wrapping.
Thanks to a member’s post on Crispin Colloquy, I found “Dress and Care of the Feet” by J.L. Peck at archive.org, a book which I found to be enlightening.
I have very short very wide feet. One foot is a 3½EEEEEE, the other a 4EEEEE. Yup, really. I’m 5’3″ so I’m not short. Okay, I’m not relatively short for a woman. Next to my 6′ spouse, I’m short. And my feet are very thick. All the volume in length I should have for my height is packed into short wide feet. We can do the “woe, genetics” thing another day. I’m just not that into beating my chest over things I can’t change.
With my feet it’s impossible to get shoes that fit the volume of my foot. If the shoe is short enough to fit my length, I can’t get my foot in them. If I can get my feet in them, they’re so long nothing on the footbed fits.
Over the last 8 years I’ve been on a journey to get shoes that actually fit. I’ve gone from shoes made by others (custom made shoes which gave me an ingrown toenail and mildly uncomfortable clogs with a generic footbed that didn’t accommodate the intricacies of the bottom of my foot) to shoes I’ve made.
Pig skin lined wool which were very comfortable if too loose and which still lacked the necessary custom foot bed
The pair of shoes I’m wearing now (kangaroo lining and chrome tanned bison outer) which are ugly but the most comfortable and easily the healthiest shoe I’ve worn yet, though still somewhat lacking in having the footbed just right.
With each iteration of footwear I’ve learned something vital and each subsequent effort is closer to the mark.
So, back to Care and Feeding of the Foot . . . In reading Peck’s “Dress and Care of the Feet” I got confirmation on what I have done. In making the toe box of my shoes overly generous I have been slowly restoring my feet to health. My ingrown toenail no longer bothers me, the large callous at the base of my little toe has peeled off and my ankles are getting healthier and stronger. I no longer lose a day to lameness when I spend a day running around outside.
So, though my shoes are very unfashionable, my feet are happier. With that I interject a hearty and droll “Go me!”
My next effort will be a pair of shoes with the lace encircling the ankle. I’ve made a test shoe and it wraps around my foot properly and provides the right support. I just need to master the footbed. I’ve got plans for that (custom press to shape mold-able cork).
I made two iterations of this shoe, one with the ankle race and one without. The one with the lace race around the ankle was easily the best as it keeps my foot correctly oriented in the shoe.
If you’re wondering about the lacing hardware and direction, my instep is so sensitive I am uncomfortable with laces running across it, even with the extra buffering of a lined tongue. Keeping the laces on the outside of the shoe makes having laced shoes tolerable. By trial and error, I’ve discovered tying the shoe at the bottom provides the most comfort.
The next pair of shoes will have one lace hook paired with lace Ds. I can knot the lace at the bottom and by unhooking the lace off one of the upper hooks I can loosen the laces enough for the shoe to be taken off and put back on.
You really can’t call this a boot. It’s a shoe but I’ve snugged the top right up against the bottom of my ankle bone to help stabilize my foot. This design really works. I run around outside and don’t even notice I have them on.
I’d like to thank Larry Anderson for the “lace race” term. It’s perfect.
Now that I know this design works I’m going to make a “real” pair.